I think it is a sensation that family members may experience when dealing with the severely and persistently mentally ill, particularly with substance abuse and homelessness mixed in. Lopez collects donated violins, a cello, even a stand-up bass and a piano with the hope that Ayers can be swayed to move off the streets, where every day his well-being is threatened. As a kid I was fascinated and terrified and curious, and to There was a homeless guy that my dad let stay in our unfinished house when I was a kid-- Greg. It's just one more plug for allowing for the natural development of people's personality and freedom. Ayers demonstrates for music which is the bright beacon that cuts through the fog of schizophrenia.
Steve Lopez's writing is less that of a top-tier author and more that of a solid reporter today's poetry is tomorrow's birdcage liner , but the true story is well-served by Lopez's relatively unadorned and straightforward prose. The time he spends on Nathaniel clearly takes away from the time he spends at home, and yet he can't let go of Nathaniel, whose descent into mental illness is deep but not beyond connection. Like every story there are some flaws, but The Soloist has a lot more gems throughout the pages. The distrust of other people, the warped sense of what is safe and who is out to get him, the switch from anger to happiness, Lopez shows how difficult schizophrenia can be to deal with. He is naive, shocked, etc. Tentei pesquisar se finalmente ele aderiu à medicação nesses últimos cinco anos, mas não achei nenhuma informação conclusiva sobre o assunto, a não ser que até 2011 ele ainda não a tomava. This mental breakdown started his fall from grace, and landed him on the streets as a homeless man with paranoid schizophrenia.
Being a real person, Nathaniel was not just dialogue and description on the page, but he walked and spoke and pushed his cart through the room as I read. The fact that Lopez and Nathaniel Ayers had their differences kept it real, and you wonder how many others like Ayers are homeless right now. Their bond takes tortuous turns as Lopez imagines he can change Ayers's life--finding him lodging, reconnecting him with his family, taking him to Disney Concert Hall to meet a former Julliard classmate. While this adds greatly to the accuracy and truthfulness of the book, it does very little to keep the reader entertained throughout as a large amount of the story is mere documentation of Nathaniel and his antics. Turns out sometimes the world is a bit random, and severe mental illness throws a curveball into a situation where success seems otherwise inevitable. By understanding the hardships Lopez is facing and the reasons behind his actions, there are relations between audience and the speaker on a much more personal level. But he still has an agenda and pushes toward it: Nathaniel should spend the night inside, should be safer, should not cling to a shopping cart, should train his musical gifts, and should make more sense.
Their bond takes torturous turns as Lopez imagines he can change Ayerss life - finding him lodging, reconnecting him with his family, taking him to Disney Concert Hall to meet a former Juilliard classmate. Lopez gains as much, if not more, from the friendship than Mr. I had to read it. He becomes intrigued and frequently returns initially for a work project which later leads to friendship. I fell once and he rushed over with a first aid kit and doused my knee with witch hazel and bandaged me up.
From an impromptu concert of Beethoven's Eighth in the Second Street tunnel to a performance of Bach's Unaccompanied Cello Suites on Skid Row, the two men learn to communicate through Ayers's music. More than thirty years earlier, Ayers had been a promising classical bass student at Juilliard- ambitious, charming, and one of the few African-Americans- until he gradually lost his ability to function, overcome by a mental breakdown. This phrase speaks to Lopez and ultimately changes the way he views Nathaniel, which is very important for the conclusion of the story. Dealing with him is exhausting, but if you don't invest the time and money and patience than you further his mistrust of people. I was covering it as a music critic for the New York Herald Tribune of lamented memory.
In order for his column to be more than shock value and exploitation, he feels that something positive has to come of their relationship. The trouble is that Lopez is a journalist, and has been for decades. I had two key take-aways from reading this book: I have a new appreciation for and interest in classical music, and relationships change our brain chemistry. Some light edge and surface wear to the dustjacket and edgewear to the spine top and bottom. I could've read it quicker had I no distractions.
Lopez collects donated violins, a cello, even a stand-up bass and a piano; he takes Ayers to Walt Disney Concert Hall and helps him move indoors. I could've read it quicker had I no distractions. O lance é que li esse livro para um trabalho de estudo de caso para a faculdade, Steve Lopez não se aprofunda nas questões clínicas da esquizofrenia, mas dá uma lição de como se deve tratar um esquizofrênico, com muita paciência sobretudo, embora medicação seja também importante. I had the idea that this guy would make a pretty good story for my paper, and what better time than after I had taken him to this night of nights? Lopez writes this biography in a journalistic nature, drawing in readers with his wittiness, clever word choices, and infusing his own personality, fears, and joys into this great work. It actually cha I had seen the movie without reading the book.
This phrase speaks to Lopez and ultimately changes the way he views Nathaniel, which is very important for the conclusion of the story. The mentally ill central character of the book is not just an illness, he's a real person, with a family, a history, hopes, dreams and problems. So the grim reality is that most of the mentally ill will probably remain on the streets, largely ignored by the swirling society around them. Fine in Near Fine dust jacket. It is a true story based on investigative journalism, which eventually tells more about the author than the subject.
Lopez reaches into a downtrodden and forgotten community of people to help a man who was left to fend for himself out in the streets without support, family, and treatment for close to 30 years. Another important aspect to any great book is the ability for the author to catch and keep the reader's attention through entertaining dialogue, cliffhangers, and other rhetorical strategies. This is obvious throughout the middle to later sections of the book where Lopez seriously contemplates the idea of forcing Nathaniel into treatment. After he got violent, cops came, and Greg didn't come back to the house. This offer does not apply to eBook purchases. He never becomes a social worker, he's not an expert on mental health, he doesn't have any big answers to these enormous social problems that Nathaniel symbolizes-- but I don't think this book is trying for anything that big.
I work with the homeless in Detroit, so Steve Lopez's account of a stunningly gifted violinist living in the street didn't shock me. For some, The Soloist will no doubt be taken as proof that bothering to help can be uplifting. So the author spent way too much time talking about it. Wasn't it heroic how the main character got the mayor to come and support fixing Skid Row? Poignant and ultimately hopeful, The Soloist is a beautifully told story of friendship and the redeeming power of music. The repetition of the actions become a bit daunting but I really enjoyed the moral of the story.